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Go and welcome to part two of this scene I've just done the composition here, and I've applied about let's say about five different values of blue in the same kind of establishing the light and dark value scheme of the scene, and I'm going to finish off the color application and shading with black now and this black one as I can see is really kind of a brain all the different elements together I did stamp out my main objects in black except for the other Mon I stamped that out in a dark blue and the theory of that is that if it's kind of a bluish color scheme then probably my light source is going to be that color in this case my light source is the Mon, and it's casting this bluish cool light, so I've instead of stamping it out black I've made it the color that it's casting again blue ok getting this into the snowy terrain kind of going along with the contours of the stamp design and I might note that this is the first time I've used this stamp sign along with these rocks I'm doing this I'm kind of holding this applicator at an angle like that to get a real thin application of it now let's see here what am I looking for I'm looking for my stamp on trees and city this is getting really dark down here as well I might go with instead of stamping out some foreground elements dark um value i might kind of go on the reverse and stent mound and white I just stand out from the background and kind of go along with this kind of cool winter theme all right black ink this is the pines and rocks image I don't think I'm going to be using the entire stamp okay what I'm going to do, so I'm going to mask off you know one of these little mounds right here and understand these trees because if they're coming from behind the snow on the other side of that little snow bank okay looks pretty good let's go for another impression on the other side of the moon you know step it all the lower maybe I'll have one of the yeah we'll aim for one of the trees kind of to be going right in front of the moon but sometimes having something dark in front of something light makes the object that's light seemed even lighter by contrast and get quite into it a little you can see these trees are really kind of standing out making the moon stand out too and let's have another tree back in here I'm just going to go for that little area in there I inked up about this much of it okay if you ever think okay I just need to ink up that little don't just inked up that little on you know your rubber because if you get there and also oh I didn't fill it in on the edge you know it's always kind of a know tougher to fill in I mean you can do it and stuff like that, but I always say inked up more than you'll need you know that way you'll never be coming having a pad to do any patchwork stamping and plus what does it use it just uses a know a little of ink okay all right nice and dramatic backdrop of trees dark trees against that Lynn I really like that look very nicely, and I see here hmm trying...
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